When: 26th March 2014Where: Spectacle Theatre, 124 S. 3rd Street, Brooklyn, New York 11211
Presented by Derica Shields and Megan Eardley, the title is inspired by The State’s ongoing documentation of non-western futurisms. To read about previous Future Weird events I have written about go here. The Future Weird screenings focus on films by directors from Africa and the Global South. They serve to,
foreground films that are experimental, or which imagine the future from a non-Western perspective because, as Samuel R. Delaney puts it: “Science fiction isn’t just thinking about the world out there. It’s also thinking about how that world might be — a particularly important exercise for those who are oppressed, because if they’re going to change the world we live in, they — and all of us — have to be able to think about a world that works differently.”
REMOTE CONTROL is an evening of short films concerning witches and bitches – women who see, take, and sell things they cannot grasp. Whether they wield powers to possess, or are somehow controlled, the technologies these films document are deployed without regard for reciprocity or consent.
Shrouded in secrecy and activated by sympathetic thinking and emotional manipulation, REMOTE CONTROL promises the loss of individual agency, and the thrilling ability to inhabit another’s body. From the excitement surrounding the technical apparatus to the far more sinister compulsion to repurpose the humanoid, you are invited to contemplate the “human use of human beings” this month.
Friends over at Shadow and Act announced an intriguing event is taking this week, Monday, August 26th, at Spectacle Theater, 124 S. 3rd Street, Brooklyn, New York 11211. THE FUTURE WEIRD is a new monthly series screening films which are set in imagined futures, made by African & global south directors. Presented by Derica Shields and Megan Eardley, the title is inspired by The State’s ongoing documentation of non-western futurisms.
According to Afrofuturist legend, Drexciya is a sunken land inhabited by the children of African women who were drowned during the Middle Passage. Since they were never born, these children continued to breath underwater: first through amniotic fluid, then through lungs better suited to the new world. Join us as we go in search of the “Black Atlantis”.
Water is a cleansing force through which our bodies may be reborn, but it is also a site of memory where disappeared and suppressed things resurface, wash up, or return to us as detritus. Through myths that traverse the Black diaspora we meet a beautiful and dangerous sea goddess named mama wata. Following tourists and then refugees fleeing Europe, we consider stories concerning identity, slavery and commerce, high seas adventure, and the joint appeal and terror of being visited by ancestors or haunted by an unknown past.