Wangechi Mutu, People in Glass Towers Should not Imagine Us, 2003
Opening Reception: April 17, 2014
On view: April 18 – July 6, 2014
The Museum of Contemporary Art North Miami will present Wangechi Mutu: A Fantastic Journey, a comprehensive survey of Wangechi Mutu, a Kenya-born, New York-based artist whose multi-faceted work captures 21st century global sensibility. This retrospective began at the Nasher Museum of Art and will made its way to the Brooklyn Museum from October 2013 to March 2014 and will be at the Mary and Leigh Block Museum of Art at Northwestern University in September 2014. The exhibition includes more than 50 works from the mid-1990s to the present, including a new site-specific mural and a black box theater projection of her newest video. Approximately 30 of the artist’s sketchbook drawings, dating from 1995 to the present, will also be on view, revealing fascinating insight into her creative process.
This exhibit is part of MOCA’s Knight Exhibition Series, which is made possible by a $5 million endowment allowing MOCA to fulfill its mission to present the best new and multimedia work by local and international emerging and experimental artists to a diverse audience.
Wangechi Mutu, Yo Mama, 2003
Wangechi Mutu, One Hundred Lavish Months, 2004
Since earning her M.F.A. from Yale University in 2000, Wangechi Mutu, who trained as both a sculptor and anthropologist, has come to be regarded as one of the most inventive and critically-engaged artists of her generation. Combining materials and imagery from sources as diverse as African traditions, international politics, the high fashion industry and science fiction, Mutu creates works that depict fantastical worlds as places for profound exploration of race, gender and power. Her work is a critical investigation of issues ranging from colonialism to displacement, ritual, perceptions of Africa and the female form.
Placing centrality on the female form, Wangechi Mutu’s provocative body of work imagines hybrid creatures and surreal landscapes that comment on commercialism, globalization and cultural norms. We are thrilled to be presenting the first solo museum exhibition dedicated to her work.
– Alex Gartenfeld, MOCA Interim Director and Chief Curator
A new site-specific mixed media mural created for the MOCA presentation will welcome visitors into exhibition galleries, which will be transformed into a forest-like environment populated by the installation of large-scale felt trees. MOCA’s Pavilion Gallery will be transformed into a black box theater for the projection of the artist’s first-ever animated video The End of eating Everything, 2013, in which Mutu works with musician Santigold to bring her elaborate collages to life in a magical narrative set in the sky.
The exhibit incorporates all aspects of Mutu’s prolific practice which includes collage, drawing, installation, sculpture, performance and video. Within this setting, Mutu’s iconic collages will be prominently featured, including new commissions and rare early works. Two other videos are featured in the exhibition: Eat Cake, 2012, which addresses ritual and overindulgence and Amazing Grace, 2005, a meditation on the slave trade and displaced populations.
Still from Eat Cake (2012) by Wangechi Mutu
Other features Ciné Kenya has done about Wangechi Mutu include her incredible work as the artistic director for a Pegasus Warning music video here.
Where: Museum of Contemporary Art North Miami
When: April 18 – July 6, 2014, Monday – Friday: 9am – 6pm
Price: General Admission: $5.00 Students & Seniors: $3.00 for concessions prices go here.
Ciné Kenya 